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Anti-Music: Jazz and Racial Blackness in German Thought between the Wars (SUNY series, Philosophy and Race)
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Review
“Anti-Music is an interesting and highly theoretical title that examines not just the definition and reception of jazz in Germany of the interwar years, but also the loosely connected topics and definitions of blackness, racial imagination, primitivism, white superiority, and cultural imperialism.†― Jive-Talk“This book synthesizes the ideological reception of jazz amongst a series of key German thinkers and cultural producers from the interwar era. It offers bold, sophisticated readings of their texts and of how they conceived of racial blackness. It is a major contribution to the field.†― Andrew Wright Hurley, author of The Return of Jazz: Joachim-Ernst Berendt and West German Cultural Change
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About the Author
Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic.
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Product details
Series: SUNY series, Philosophy and Race
Paperback: 226 pages
Publisher: SUNY Press; Reprint edition (January 2, 2019)
Language: English
ISBN-10: 1438469861
ISBN-13: 978-1438469867
Product Dimensions:
6 x 0.7 x 8.9 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
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Amazon Best Sellers Rank:
#1,856,017 in Books (See Top 100 in Books)
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