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Carlo Scarpa, by Robert McCarter
Get Free Ebook Carlo Scarpa, by Robert McCarter
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Review
"Scarpa's career and working practices have been comprehensively researched and documented in Robert McCarter's new monograph for Phaidon Press... McCarter's carefully layered, first-hand narratives offer a rich evocation of each building project."—Disegno Daily"...Illustrated with a handsome selection of sketches, plans and photographs... [Robert McCarter is] an engaging guide..."—Apollo"In this substantial volume, McCarter leads us by the hand through Scarpa's achievements. He gives us a survey that is both vast, and in the spirit of Scarpa, meticulously detailed."—Curated Object"With 350 images and drawings, Carlo Scarpa documents the architect's dramatic modernism - the sweeping red staircase of his Banca Popolare in Verona, his sleek concrete-and-wood Olivetti showroom in Venice - even as it celebrates his poetic vision?"—ELLE Decor"Several books have been published on [Scarpa's] work, none has approached the breadth and depth of this monograph by Robert McCarter, who is celebrated for his meticulously researched, experientially based, and jargon-free accounts of key figures in modern architecture... The definitive study of Scarpa's many accomplishments."—MrsD-Daily.com
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About the Author
Robert McCarter is a practicing architect and Ruth and Norman Moore Professor of Architecture at Washington University in St. Louis, since 2007. He taught previously at the University of Florida, where he was Director of the School of Architecture from 1991-2001, and Columbia University, among others. He has written for numerous international publications and his books include Louis I. Kahn (2005); On and By Frank Lloyd Wright: A Primer of Architectural Principles (2005); Frank Lloyd Wright (1997); Unity Temple (1997) and Fallingwater (1994), all by Phaidon Press. He is also the author of Wiel Arets: Autobiographical References (2012) and Frank Lloyd Wright: Critical Lives (2006).
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Product details
Paperback: 288 pages
Publisher: Phaidon Press; Reprint edition (May 7, 2017)
Language: English
ISBN-10: 0714874205
ISBN-13: 978-0714874203
Product Dimensions:
10 x 1 x 11.5 inches
Shipping Weight: 3.9 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#337,404 in Books (See Top 100 in Books)
Overall, this is a great introduction to Carlo Scarpa. It is an easy read--you don't have to speak 'Architect' to get it--and it is full of nice photographs.Prior reviews have criticized the book design, but I find it refreshing and graphically well-designed. Yes, some of the text is a bit close to the spine, requiring you to apply some force to spread the pages enough to read the content. But do not let the book design be the deterrent for purchasing this book.I give this 4-stars only because the images were not quite as compelling as those found in Guido Beltramini's and Italo Zannier's book on Scarpa. Also, Taschen's book on Scarpa is worth getting as well.If you want awesome photographs, get Beltramini's book. If you want a turn-by-turn walk-through, get McCarter's book. Or just get both of them like I did.
My first reaction to the format of this book, while not as severe as B.Olson's critique below, was to be taken aback by Olson's same observations. Yet on spending time with the book, I quickly not only got accustomed to its quirks, but came to appreciate them in the context of the subject. In other words, what at first seemed overly mannered (not just the odd but in practice relatively workable spine/hinge, nor the also odd but, in readings, content-enhancing bold print, but oddities such as indenting the first two lines of paragraphs) I came to see in compelling ways making deference to an architect whose work is so profound that, as author Robert McCarter makes poignantly clear, it defies academic, formal explication.Since discovering him forty years ago I have bought and have read every word I could find in English on Carlo Scarpa, and partly due to the aforementioned opacity of the work stated by McCarter was skeptical of yet another treatise on him, by an architect/historian who I had not heard of. But from the first few pages I was absorbed in McCarter's knowledge, research, and crystal insights into this mystical opacity. (Opacity in Scarpa's instance being far from pejorative, but a gift for anyone who will approach the architecture with a sense of history, mind and heart.)McCarter serves Scarpa well, and has given at least this longtime student of The Master a wonderful gift.(P.S. to B. Olson: though I am as stated above not unsympathetic to your criticisms of the physical book itself, I would urge you to reconsider giving McCarter's work a one star rating, which at first glance - one of the misfortunes of the Amazon rating system - gives the casual reader of the reviews a negative view of a work of scholarship that you seem to in fact admire.)
I love this architect...so I may be biased. This is a great book for those who what to look at some of Scarpas greatest work "holistically" (as best possible in text and images). You go to touch he's work not just to see or read about it.
great photos of genius's work, who's very underappreciated by the public
An in depth look at Scarpa's projects, with insightful analysis and marvelous photography.
This was my husband's Christmas present and he loves it. My stepdaughter also spent a lot of time reading it while she was here.Quick shipment, excellent merchandise.
A must have for any Scarpa enthusiast. Excellent writing and photography of projects designed by one of modernism's most unappreciated heroes.That said, the design of the book itself is a horror. The terrible spine/hinge design does not allow the book to open flat and actually tends to want to self-close the book, and so you end up spending your time fighting with the book instead of reading it. Reading it is also a chore as any quoted text is bold, large and a different font from the main text which is gray.In the end, the overall book design is a completely self-indulgent trainwreck that really and truly interferes with trying to read it.
How could Phaidon Press take Robert McCarter's excellent text, add wonderful photographs and diagrams and end up with one of the worst book designs that they have ever produced?!!Book designer - Béla Stetzer - has created a hardbound book with a ridiculous hinge that never allows the book to lie flat. She has also taken any and all quoted texts and put them in a bold point size which is larger than the main text. Therefore the page format is uneven and the read is most annoying. Quoted passages should not dominate the page and make McCarter's own words secondary.Phaidon should throw away the entire printing and start over with a different book designer who knows how to make a book as special as the architecture of Carlo Scarpa.
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